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	<title>Paralysis by Alanysis &#187; Film</title>
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	<description>Don&#039;t overthink it</description>
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		<title>Century-old Color Photographs and Cognitive Dissonance</title>
		<link>http://www.pagliere.net/alan/blog/2010/08/27/century-old-color-photographs/</link>
		<comments>http://www.pagliere.net/alan/blog/2010/08/27/century-old-color-photographs/#comments</comments>
		<pubDate>Fri, 27 Aug 2010 20:12:39 +0000</pubDate>
		<dc:creator>Alan</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Belief Systems]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Travel]]></category>

		<guid isPermaLink="false">http://www.pagliere.net/alan/blog/?p=106</guid>
		<description><![CDATA[The Boston.com Big Picture blog has a subset of the photographs by Sergei Mikhailovich Prokudin-Gorskii. Remarkable. http://www.boston.com/bigpicture/2010/08/russia_in_color_a_century_ago.html Funny how a familiar technology in an unusual context can produce such an odd impression. It&#8217;s a very strange and rather hard to explain feeling that comes from breaking the unconscious linking, born of experience, of &#8220;past&#8221; to [...]]]></description>
			<content:encoded><![CDATA[<p>The Boston.com Big Picture blog has a subset of the photographs by Sergei Mikhailovich Prokudin-Gorskii. Remarkable.</p>
<p><a href="http://www.boston.com/bigpicture/2010/08/russia_in_color_a_century_ago.html" target="_blank">http://www.boston.com/bigpicture/2010/08/russia_in_color_a_century_ago.html</a></p>
<p>Funny how a familiar technology in an unusual context can produce such an odd impression.</p>
<p>It&#8217;s a very strange and rather hard to explain feeling that comes from breaking the unconscious linking, born of experience, of &#8220;past&#8221; to &#8220;black and white&#8221;. My first unconsidered impression on seeing these photos, this color out of context, is that the photographs are &#8230; somehow staged, which is absurd, of course. Then the consideration begins&#8230;.</p>
<p>Since I was a kid, I&#8217;ve often wondered what exactly &#8220;real life&#8221; looked like in 1942 for example when my dad came to the US for the first time (and took photos that I&#8217;ve seen), or in the 1910s (from which I&#8217;ve seen photos of my grandparents). What did people in the late 1800s experience when they walked around. Or for that matter, in the year 200?</p>
<p>I can tell myself that, yes, what everyone saw and experienced was just like what I see now but with the different trappings of time and location. Reality is reality, always has been, and it&#8217;s all in color. No different from now in any great way. But even after that intentional, intellectual exercise, there remains the sense that it must have been different; after all, it existed in black and white, didn&#8217;t it? People back then mush have experienced some kind of fog or fuzziness between themselves and their world, since that is what I see now of that time&#8230;.</p>
<p>These photos here shoot those impressions all to hell and so I&#8217;m left with some sort of cognitive dissonance, a difficulty in accepting that the past I&#8217;ve always thought existed as different is actually similar to my present. I haven&#8217;t quite yet accepted that, but I&#8217;m beginning to see the people in these photographs as people I share a reality with.</p>
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		<title>Lions, Lambs and More Lambs</title>
		<link>http://www.pagliere.net/alan/blog/2007/11/11/lambs-lions-and-redford/</link>
		<comments>http://www.pagliere.net/alan/blog/2007/11/11/lambs-lions-and-redford/#comments</comments>
		<pubDate>Sun, 11 Nov 2007 22:49:25 +0000</pubDate>
		<dc:creator>Alan</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[National Politics]]></category>

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		<description><![CDATA[It seems, in retrospect, we were lambs to the slaughter: all of us who gathered in the theater I was in last night to watch Lions for Lambs by Robert Redford. It&#8217;s been over 10 years since I had a violent urge to walk out of a movie, but this one gave me that urge. [...]]]></description>
			<content:encoded><![CDATA[<p>It seems, in retrospect, we were lambs to the slaughter: all of us who gathered in the theater I was in last night to watch <em>Lions for Lambs</em> by Robert Redford. It&#8217;s been over 10 years since I had a violent urge to walk out of a movie, but this one gave me that urge. I always try my best to give a film another few minutes to redeem itself, just another few. It&#8217;ll pull it out somehow. And having gone with a couple of other people, there was extra inertia not to bail. I wish I had, I wasted 90 minutes of my life. The only moment reaching 3 on a scale of 1 to 10 was a part of the scene in which Meryl Streep talks to her boss.</p>
<p>However, about 15 minutes in, it was clear there was nothing going to save this one. Confused, preachy and smarmy. And trying so hard to be relevant and clever and smart and failing, failing, failing. The government lied. The media fell down on its job. We can&#8217;t trust the government on any new &#8220;strategy&#8221;. We can&#8217;t trust the media since it keeps bringing us Britney news. We get all this. And we get that the rest of us are complacent, unconcerned with doing something about it all. But, OMG, is this the best Hollywood can do? Intellectual doggerel.</p>
<p>I understand that Americans are dumber and shallower than I could ever imagine. Perhaps doggerel is the only thing that Americans understand (they did re-elect Bush and Cheney after all), but this can&#8217;t be expected to convince Americans to get involved.</p>
<p>We are doomed.</p>
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